"The phone conversation sequence has some of the most unforgettable moments of the film. They share
the same earpiece extension, listening and talking on the same phone. Although the doorway to the
parlor slices through the frame, symbolizing the distance between the two of them, they are squeezed together.
George is very conscious of her being close to him, and resists his close proximity to her. He
is romantically attracted and cannot deny that he loves her, but such an admission would mean remaining in
Bedford Falls, where he has been forced to stay against his will and give up his other dreams.
In a long closeup of them ear to ear, they listen to Sam who asks if George is stealing his gal. Mary
is unable to go to a different extension, because her mother listens in on the upstairs extension. Sam
offers George a 'get-rich-quick' job in his new business, telling him of the bright future in plastics.
But Sam wonders if George is available, cheerfully mocking him: "I may have a job for you, that is,
unless you're still married to that broken-down building and loan. Ha, ha, ha. It's the biggest
thing since radio and I'm lettin' you in on the ground floor." All the while, George squirms and tries
to contain himself, standing so close that he can smell Mary's hair.
Sam tells Mary to encourage George with the offer: "Will you tell that guy I'm giving him the chance of a
lifetime? You hear - the chance of a lifetime." She looks upward at him and, with her lips
almost on his lips, reinforces what Sam has said in a whisper, but she is almost unable to say the words:
"He says it's the chance of a lifetime." The phone suddenly drops to the floor, and instead of
grabbing and embracing Mary with a kiss, George holds her fiercely by the shoulders and violently starts
shaking her, passionately protesting that he doesn't want to get married: "Now, you listen to me! I
don't want any plastics, and I don't want any ground floors, and I don't want to get married - ever - to
anyone! You understand that? I want to do what I want to do. And you're... and you're..."
Then he runs out of words. She responds by crying helplessly, silently, and then George all of
a sudden reverses himself and pulls Mary to himself in a fierce embrace. George overcomes his
resistance to her and starts to kiss her, passionately, all over her face, holding her intensely. Their
undeclared love for each other overwhelms both of them."
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